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Black & White in the Era of Colour
Black-and-white cinema is not the absence of colour, but a language of its own. A language of rhythm, experiment and authenticity. We explore why directors still choose it today.
Trilogy: Childhood as a Cinematic Language
Three films — three perspectives on childhood. Tarkovsky, Bergman and Fellini explore how the memory of childhood shapes us and how cinema transforms it into a language of images.
Desire on Screen
Eroticism is born alongside cinema itself. The Kiss and After the Ball, with the first on-screen undressing, turn the kiss and the female body into something at once shocking and magnetic.
To Play God
How does cinema portray Christ — and what does this say about us? From icon to rock star, from revolutionary to existential hero — every era saw its own reflection in him.
Tender Obsessions
The genre begins where cinema could not speak of sexuality directly. Under the Hays Code, film noir is born — shadows, crime and femmes fatales, where desire, shown through hints, grew only more dangerous.
Woman Behind the Lens: Uncomfortable Stories
This cycle examines how the female gaze works in cinema and why it chooses the most uncomfortable subjects — woman as seduction within the male narrative, retold by a woman herself.